Otherworldly, metaphysical works blur the boundaries between mysticism and philosophy on the fourth floor of a Chinatown office building.
Management is an oasis. A bubble of dreamy calm in a city that, let’s face it, can be chaotic. You’ll find it on the fourth floor of a Chinatown office building, sharing its address with the uber hip modeling agency, No Agency. Follow the models to the elevator in the back to get upstairs.
The art here doesn’t just hang on the wall. It haunts. It heals. Think irradiated jewel-tone palettes with metaphysical undertones. We’ve seen silver reptilian creatures slithering around the corners of rainbow-colored paintings. And crystal snakes entwining fallen meteor-like clay rocks juxtaposed with irradiated color field paintings.
The art can have a dystopian edge, but its uncanny beauty will get under your skin if you let it. The approach to art here is philosophical. There is a desire for structure, to find meaning, to throw down an anchor. It's also art that asks you to have a little faith. And we’re converts.
Anton Svyatsky founded Management Gallery in 2021. Moscow-born, Brooklyn-raised, his father was part of the renowned Russian art collective AES+F, known for their spectacular, epic video-based spectacles. He studied philosophy at Brooklyn College, launched a design firm, and developed software for the finance industry before returning to art. His approach prioritizes philosophical risk over market logic.
Want to know where art is headed next? Here are the ones to watch.