There’s room to breathe with the art in this gallery. Located on the 3rd floor of a vast, airy space that stretches the width of a full block, it’s the perfect setting to see art that asks your brain to fire up and your thoughts to expand.
The curatorial vision is grounded in theories of minimalist cinematography, where space, pacing, and sequencing are as important as the individual works. Displays unfold in deliberate sequences that carry you, and your eye, along on a deliberate journey that is less about what you’re looking at and more about how you’re looking at it.
The art is refined, elegant, and stripped down to deceptively simple compositions. Beneath the surface, though, the art displayed here is anything but simple. On the contrary, it’s dense, cerebral, and concerned with how context, history, and power structures mediate our world views.
Sometimes you’ll find one piece hanging peacefully in its own room, stripped of distractions. That quiet focus makes you want to linger and let it wash over you — even worship it. It’s “ah-ha” moments like these that keep us coming back.
Miguel Abreu was born in New York City and raised in Paris. In 1991, he co-founded Thread Waxing Space with Tim Nye, an alternative venue that anchored the downtown art scene for more than a decade. He opened his namesake gallery in 2006 in a modest storefront at 36 Orchard Street, when fabric warehouses still lined the neighborhood. In 2014, he expanded to a lofty Eldridge Street space. Alongside Robin Mackay, Abreu also co-founded art and philosophy press Sequence. Deepen your experience at the gallery by heading there after and picking up a book (or two).
Want to know where art is headed next? Here are the ones to watch.